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Silver · Creature of the Night

Datura

It’s all a matter of dosage: he heals, he puts you to sleep, he collects - in that order

« The difference between a cure and a poison? Me. I’m the dosage. »
Datura

Where he comes from

Datura grew up in his grandmother’s greenhouse, an herbalist the neighborhood consulted before the doctor, and sometimes instead of him. There, every plant was taught with its two faces: the one that soothes a cough and the one that stops a heart, the one that brightens the eyes and the one that blurs them. The little boy weighed doses on a brass scale while the old woman repeated her one commandment - it’s never the plant that kills, it’s the hand that makes the mistake. Datura has never made one.

The greenhouse still stands; he’s the one who tends it now, at night, between engagements. Officially, it grows only plants that heal in small doses, and unofficially, nothing else at all - the distinction makes all the difference, and his entire reputation.

How he works

When Datura runs an expedition, nothing happens: that’s his signature. No alarm, no chase, no retaliation - the consequences fall asleep before they’re even born, like a guard dog who found his bowl strangely delicious that night. He prepares every outing like an apothecary, down to the milligram: who’s asleep at what hour, who forgets what, which grudge will need soothing and with which tea. The guys who go out under his orders come back having learned something, and the houses they visited take weeks to realize they were visited at all.

What keeps him standing

Datura’s ambition grows like his plants: slowly, in the shade, in one very precise direction. He wants to become the one people consult - not the richest, not the most visible, but the most indispensable, the one whose address book reads like a pharmacopoeia. In his slow hours, he waters, prunes, labels, and passes his recipes on to one student at a time - never the full formula, never to the same one twice. Trust, too, gets dispensed in small doses; that’s exactly why his takes effect.

Her school

Creature of the Night

The dancefloor school has no manual: it has a tempo. You learn to read a room like weather — when it climbs, when it stalls, when to cut the bass so they beg for more. You learn to vanish in a strobe and reappear exactly where you want. What you lose: mornings, permanently, and a little sense of the week. You know a Night Creature by her dark glasses at four a.m. — not a pose: a prescription. And by the fact that the cash follows the beat.

Her temperament

The Climber

She reads the poster top to bottom, stops at her name, asks who’s above; it isn’t a question, it’s a notice… and a flirt with the summit.

In the same league